- El Grillo by Josquin Desprez for SATB saxophone quartet
- score and parts download: $15
- score and parts printed: $25
- Missa Pange Lingua 5-movement Mass by Josquin Desprez for SATB saxophone quartet
- score and parts download: $50
- score and parts printed: $75
- O bone et dulcissime Jesu by Josquin Desprez for SATB saxophone quartet
- score and parts download: $15
- score and parts printed: $25
- De profundis clamavi by Josquin Desprez for SATB saxophone quartet
- score/parts and audio preview
- score and parts download: $15
- score and parts printed: $25
- Domine, exaudi orationem meam by Josquin Desprez for SATB saxophone quartet
- score and parts download: $15
- score and parts printed: $30
- Salve Regina by Josquin Desprez for SATB saxophone quartet,
- score/parts and audio preview
- score and parts download: $15
- score and parts printed: $25
Susan Fancher is an internationally-recognized concert saxophonist. She has performed in hundreds of concerts internationally as a soloist and as the member of chamber music ensembles, including the Red Clay, Amherst, Vienna, and Rollin’ Phones saxophone quartets. A much sought-after performer of new music, Susan Fancher has inspired and premiered over 100 new works for saxophone. She is an active recitalist, performing frequently with pianist Ināra Zandmane and presenting master classes as an artist clinician for the Selmer and Vandoren/DANSR companies. Susan Fancher’s discography lists over twenty CDs on Arizona University Records, Philips, New World, Lotus Records Salzburg, Parma, Extraplatte, Mark Records, Chen Li Musi, and Innova Records. She teaches saxophone and coaches chamber music at Duke University and at Wake Forest University.
Susan Fancher earned her Doctor of Music from Northwestern University, where she was a student of Dr. Frederick Hemke, and the Médaille d’Or from the conservatory in Bordeaux, France, where she studied with Monsieur Jean-Marie Londeix. The inspiration for her transcriptions of the music of Josquin was a conversation with Professor Theordore Karp during a graduate class in the music of the Renaissance that he taught at Northwestern. When asked whether he thought it would be OK to transcribe Josquin’s music for saxophone quartet, Karp heartily replied, “Why not!”